Italian architect and designer Gio Ponti (1891 - 1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his oeuvre remains one of the most diverse and groundbreaking in design history. Trained initially in architecture, Ponti soon moved into industrial and interior design, experimenting with ceramics, silverware, and glass. Ponti's key works are spread throughout this extensive overview, including structures of all kinds, from small residential dwellings to high-rise buildings, schools, and office blocks. The home was one of Ponti's recurring interests and central areas of ... |
|
|
With motion and machines as its most treasured tropes, Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. With affiliate painters, sculptors, designers, architects, and writers, the group sought to subsume the dusty establishment into a new age of sleek, strong, purified modernity. Futurism's place in art history is as ambivalent as it is important. The movement pioneered revolutionary methods to convey movement, light, and speed, but sparks controversy in its glorification of war and fascist politics. Their frenzied, ... |
|
|
The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist ... |
|
|
Hailed the "Prince of the Impressionists", Claude Monet (1840 - 1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily ... |
|
|
The arresting pictures of Frida Kahlo were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art. In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her destiny as a passive victim and rather intertwining expressions of her experience into a hybrid surreal-real language of living: hair, roots, veins, vines, tendrils and fallopian tubes. Many of her works also explore the Communist political ideals which ... |
|
|
Over the course of his artistic career, Wassily Kandinsky (1866 - 1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work. As much a teacher and theorist as he was a practicing artist, Kandinsky's interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and ... |
|
|
Vincent van Gogh's story is one of the most ironic in art history. Today, he is celebrated the world over as one of the most important painters of all time, recognized with sell-out shows, feted museums, and record prices of tens of millions of dollars at auction. Yet as he was painting the canvases that would subsequently become these sell-out modern masterpieces, van Gogh was battling not only the disinterest of his contemporary audiences but also devastating bouts of mental illness, with episodes of depression and paralyzing anxiety which would eventually claim his life in 1890, when he committed suicide shortly ... |
|
|
Четириезично издание на английски, френски, немски и руски език. ... The published matter are articles and studies of Bulgarian folk music. They mostly concern theoretical issues and different aspects of relation "folklore - contemporaneity". These are lectures on folklore problems that were given on international conferences and simposia. ... |
|
|
Философия. Формообразуване. Пропорции. Реализация. Еволюция на схемотехниката. Георги Анев е роден през 1959 г. Завършил е средно радиотехническо образование в техникум по слаботокова електротехника А. С. Попов, а след това висше образование по специалност Радиотехника във ВМЕИ Ленин - София. Пътят му като инженер започва с разработка на промишлени електронни устройства. Но истинската му творческа дейност се разгръща след 1992 г. с разработката и производството на гама медицински апарати за електротерапия и електродиагностика, използвани в стоматологията. Негово дело са първият български батериен портативен апарат за ... |
|
|
Забавлявайте се докато оцветявате книжката "Модни аксесоари" от издателство "Зиг Заг". За да оцветите тази книжка препоръчваме да използвате моливи или пастели , за да избегнете цветовете да се отбележат на другата страница. ... |
|
|
Lucian Freud (1922 - 2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's ... |
|
|
While anchoring his practice in the traditions of antiquity and the Renaissance, Auguste Rodin (1840 - 1917) paved the way for modern sculpture. From a very early stage, he was interested in movement, the expression of the body, chance effects, and the incomplete fragment. It was these elements that gave shape, and the impression of life, to such famous works as The Kiss and The Thinker. Produced in collaboration with the Musée Rodin, this "Taschen" Basic Art introduction examines the formative years of Rodin's training as well as the key stages of his subsequent career. It retraces the genesis of his ... |
