Ñòèâè Íèêñ, ëåãåíäàðíàòà ïåâèöà è òåêñòîïèñêà, ÷èÿòî 30-ãîäèøíà ñîëîâà êàðèåðà âêëþ÷âà ñåäåì ñòóäèéíè àëáóìà, èêîíè÷íè ñèíãëè è ðåêîðäíè ïðîäàæáè îò ìèëèîíè êîïèÿ, èçäàäå äåëóêñ âåðñèÿ ñ ðåìàñòåðèðàí çâóê è äîñåãà íåèçäàâàíà ìóçèêà îò àëáóìà ѝ "Bella Donna". Íèêñ îáåäèíÿâà ñèëè ñ ïðîäóöåíòà Äæèìè Éîâèí çà çàïèñâàíåòî íà äåáþòíèÿ ñè ñîëîâ àëáóì "Bella Donna" ìàëêî ñëåä èçëèçàíåòî íà "Tusk" íà Ôëèéòóä Ìàê è ïîñëåäâàëîòî òóðíå. Àëáóìúò ѝ, êîéòî èçëèçà ïðåç 1981, å ñåðòèôèöèðàí áúðçî ñ ïëàòèíà. Äî äíåñ àëáóìúò å ÷åòâîðíî ïëàòèíåí áëàãîäàðåíèå íà êëàñèêèòå "Edge Of Seventeen" ...![](/b-images/quad-transp.gif) |
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Ó÷è è èãðàé ñ òåçè ÷óäíè ëåïåíêè! Çàåäíî ñ ïðèíöåñèòå òðúãíè íà âúëíóâàùî ïúòåøåñòâèå â ñâåòà íà ÷èñëàòà!  òàçè ïðèêàçíà êíèãà ùå îòêðèåø êîëêî å ëåñíî äà ïîçíàâàø è èçïèñâàø ÷èñëàòà, ùå ñå íàó÷èø äà áðîèø è äà ðåøàâàø ïúðâèòå ñè çàäà÷è. À ñ ëåïåíêèòå âñè÷êî ùå å êàòî íà èãðà - ùå ó÷èø ïî-áúðçî è çàáàâíî! Çà äà îöâåòèòå òàçè êíèæêà ïðåïîðú÷âàìå äà èçïîëçâàòå ìîëèâè èëè ïàñòåëè , çà äà èçáåãíåòå öâåòîâåòå äà ñå îòáåëåæàò íà äðóãàòà ñòðàíèöà. Êíèæêàòà å ÷àñò îò ïîðåäèöàòà "Õàéäå äà íàó÷èì 1, 2, 3" íà èçäàòåëñòâî "Åãìîíò" ...![](/b-images/quad-transp.gif) |
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Êíèãà ñ 60 èäåè çà âå÷åðÿ, ïðèãîòâåíè ñàìî â åäèí ñúä. ... Êíèãàòà èìà çà öåë äà îòãîâîðè íà âúïðîñà Êàêâî ùå âå÷åðÿìå? è å ñúîáðàçåíà ñ âàøåòî ñâîáîäíî âðåìå è îñòàíàëàòà âè åíåðãèÿ ñëåä äåëíè÷íèÿò âè äåí. Ðåöåïòèòå â êíèãàòà ñà èíòåðåñíè, ëåñíè è ðàçíîîáðàçíè è èìàò çà öåë äà ñúçäàäàò æåëàíèå äà ãîòâèòå ïîâå÷å çà ñåáå ñè è ñåìåéñòâîòî çäðàâîñëîâíà è âêóñíà õðàíà. Êîíöåïöèÿòà íà ðåöåïòèòå å ëåñíà - ùîì ñå ïðèáåðåòå îò ðàáîòà, îòäåëåòå íÿêîëêî ìèíóòè çà ïðèãîòâÿíå íà ïðîäóêòèòå, ñëîæåòå ãè â ëþáèìàòà ñè òàâà çà ïå÷åíå è îñòàâåòå ôóðíàòà äà ñâúðøè îñòàíàëîòî! Ïðåç òîâà âðåìå ìîæå äà ñå çàíèìàâàòå ñ êàêâîòî ñè ïîèñêàòå! Ñ ...![](/b-images/quad-transp.gif) |
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Ìîíîãðàôèÿòà ñúäúðæà îðèãèíàëíè ðåçóëòàòè çà âëèÿíèåòî íà ôàñöèîëîçàòà âúðõó òóìîðîîáðàçóâàíåòî â îðãàíèçìà íà ãîñòîïðèåìíèêà è àíòèòóìîðíîòî äåéñòâèå íà íÿêîè íîâîèçîëèðàíè åíäîãåííè èíõèáèòîðè íà êëåòú÷íàòà ïðîëèôåðàöèÿ îò õåëìèíòåí è ãîñòîïðèåìíèêîâ ïðîèçõîä.  êíèãàòà ñà ïðåäñòàâåíè êëèíè÷íè è åêñïåðèìåíòàëíè äàííè (ïðåäèìíî ñîáñòâåíè èçñëåäâàíèÿ) çà ñòèìóëèðàíå è ïîòèñêàíå íà òóìîðíîòî ðàçâèòèå ïîä äåéñòâèå íà õåëìèíòà Fasciola hepatica è èçîëèðàíå è èçñëåäâàíå íà åíäîãåííè èíõèáèòîðè íà êëåòú÷íàòà ïðîëèôåðàöèÿ îò õåëìèíòåí è ãîñòîïðèåìíèêîâ ïðîèçõîä. Îðèãèíàëíèòå äàííè íà àâòîðêàòà ñà ïîëó÷åíè ÷ðåç ðàçíîîáðàçíè ...![](/b-images/quad-transp.gif) |
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The idea of this book is to emphasize - on the example of analysing select emblematic pieces of Victorian and post-Victorian poetry - that the Past matters as it informs the mind about its present state and about actuality in the general sense of the word. My theoretical premises have been modern European ontophilosophy, existential ethics and hermeneutics. A scholar's academic past - flawed as it may be - contains the scholar's own personal experiental past (and thus a morsel of a general communal past. and vice versa. It is the author's humble hope therefor that some of the ideas and issues raised in this ...![](/b-images/quad-transp.gif) |
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The children wanted Arthur to tell them a ghost story. But he cold not do so. His story was too horrible to tell. His story was of a lonely house among the dangerous marshes. There a woman in black with hate in her eyes waited and watched. And a child cried out in the mist. This book is in British English. Here you can find: extra grammar and vocabulary exercise; notes about the story; points for Understanding comprehension questions; free resources including worksheets, tests and author data sheets at www.macmillanreaders.com . Included CDs contain audio versions of all the chapters of the book. ...![](/b-images/quad-transp.gif) |
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Çàáàâà ñ öèôðè. ... Åòî òè åäíà çàáàâíà êíèæêà, â êîÿòî ìîæåø äà ïîñòàâÿø ëåïåíêè íàâñÿêúäå! Ñúùî òàêà ìîæåø äà: ñå óïðàæíÿâàø äà ïèøåø öèôðèòå äî 10; èçïúëíÿâàø ëåñíè çàäà÷è; ðåøàâàø çàãàäêè ñ öèôðè. Çà äà îöâåòèòå òàçè êíèæêà ïðåïîðú÷âàìå äà èçïîëçâàòå ìîëèâè èëè ïàñòåëè , çà äà èçáåãíåòå öâåòîâåòå äà ñå îòáåëåæàò íà äðóãàòà ñòðàíèöà. ...![](/b-images/quad-transp.gif) |
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Êîìïëåêòúò îò 2 CD-òà âêëþ÷âà íåîáõîäèìèòå àóäèîìàòåðèàëè îò ó÷åáíèêà íà ñèñòåìàòà "Gateway - íèâî B1.1". Âñåêè äèñê âêëþ÷âà àóäèîçàïèñè çà óïðàæíåíèÿ îò ðàçëè÷íèòå ðàçäåëè â óðîöèòå. Ó÷åíèöèòå ìîãàò äà ÷óÿò çàïèñè, ðàçðàáîòåíè çà çàäà÷èòå ïî ëåêñèêà è ãðàìàòèêà è àóäèîìàòåðèàëè çà çàäà÷èòå çà ðàçâèâàíå íà óìåíèÿòà ñëóøàíå ñ ðàçáèðàíå è ãîâîðåíå íà àíãëèéñêè. Ó÷åáíàòà ñèñòåìà ïî àíãëèéñêè åçèê "Gateway for Bulgaria - íèâî B1.1: Second Edition" ñå ñúñòîè îò: ó÷åáíèê ó÷åáíà òåòðàäêà êíèãà çà ó÷èòåëÿ 2 CDs ñ àóäèîìàòåðèàëè Èçáðîåíèòå êîìïîíåíòè îò ó÷åáíàòà ñèñòåìà ñå ïðîäàâàò ïîîòäåëíî. ...![](/b-images/quad-transp.gif) |
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Poster Packs are available, with five vibrant posters for each level, providing teachers with an eye-catching, engaging resource for language practice. The posters focus on key language from the Student’s Book and include extra words from the corresponding Young Learners English syllabus, to extend students’ vocabulary. Accompanying activity notes offer a variety of interactive, engaging activities to fully exploit the posters. Ïîñòåðèòå çà ÷àñò îò ó÷åáíàòà ñèñòåìà Super Minds çà: íèâî Starter íèâî 1 íèâî 2 ...![](/b-images/quad-transp.gif) |
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Êàê äà îòãëåæäàìå ôèçè÷åñêè, åìîöèîíàëíî, óìñòâåíî è äóõîâíî çäðàâè äåöà. Çà ðàçëèêà îò äðóãè êíèãè íà ñúùàòà òåìàòèêà, Ïúðâèòå 2 ãîäèíè å ðúêîâîäñòâî, êîåòî ñúäúðæà öåííè ïðàêòè÷åñêè ñúâåòè è ïðåïîðúêè îò íÿêîè îò íàé-óâàæàâàíèòå äíåñ ëåêàðè õðèñòèÿíè. Ùå îòêðèåòå ïîëåçíà èíôîðìàöèÿ â ðàçäåëèòå "Ñïåöèàëíè ãðèæè", êîèòî ðàçãëåæäàò íÿêîè çäðàâíè âúïðîñè êàòî âèñîêàòà òåìïåðàòóðà, âúïðîñè, ñâúðçàíè ñ îòãëåæäàíåòî íà äåòåòî îò äåòåãëåäà÷è è áàâà÷êè, ïðàâèëíèòå íà÷èíè íà âúçïèòàíèå è äèñöèïëèíèðàíå, è "Ãðèæà ïðè ñïåøíè ñëó÷àè" îêàçâàíå íà áúðçà ïîìîù è ìåðêè çà áåçîïàñíîñò."Âúïðåêè ÷å ïðåç ïîñëåäíèòå ...![](/b-images/quad-transp.gif) |
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Illustrated by Mike Lacey and Martin Sanders. ... "The sword moved again, and the light from the sun flashed on the bright metal. Soon, all that Bathsheba could see was a bright light flashing around her. Troy had never practised better than this. "Your hair is a little untidy, Miss Everdene," he said. "I'll make it tidy for you." The sword went past her ear with a whispering sound. A small piece of her hair fell to the ground. She watched him pick up the lock of hair and put it in his pocket. "I'll keep this forever," he said. He came closer to her. "I must leave you now.& ...![](/b-images/quad-transp.gif) |
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"Äúðæèòå â ðúöåòå ñè ïúëíî è íåðåäàêòèðàíî èçäàíèå íà íàé-óñïåøíèòå èñòîðè÷åñêè ðîìàíè â ïîñëåäíèòå 20 ãîäèíè. Çàäðóãàòà áå àáñîëþòíèÿò áåñòñåëúð è îãëàâè êëàñàöèèòå â ãîäèíàòà, â êîÿòî èçëåçå - 2019 ã. À Çàâåòúò - ïðåç 2020 ã. Îòòîãàâà è äâàòà ðîìàíà ñà íåïðåêúñíàòî â Òîï 10. Îòçèâèòå ñà ìíîãîáðîéíè è ïîçèòèâíè, êíèãèòå ñå ÷åòàò íà åäèí äúõ, âúçïàëâàò íàöèîíàëíîòî ñàìî÷óâñòâèå, è âðúùàò âÿðàòà, ÷å å äîáðî äà ñå ðîäèø áúëãàðèí... Èñòîðèÿòà íà Çàäðóãàòà ùå âè îòíåñå âúâ âúëíóâàùèÿ ñâÿò íà òàéíàòà îðãàíèçàöèÿ íà Èâàí Øèøìàí, ñúùåñòâóâàë ïî âðåìå íà öÿëîòî òóðñêî ðîáñòâî è ïîìîãíàëà íà íàðîäà äà îöåëåå. È ñúùî - äà ...![](/b-images/quad-transp.gif) |