Çà äâå êèòàðè. ...  ïðîèçâåäåíèåòî ñà âêëþ÷åíè ñëåäíèòå ïèåñè: Ìîðåòî è áðåãúò Êúùàòà íà ãîñïîæà Âèëõåëìùàéí Ïàðèæêàòà Ñâåòà Áîãîðîäèöà Ñþèòà Ðîíäî No. 1 Ìàëêàòà êèáðèòîïðîäàâà÷êà Ïðîèçâåäåíèåòî å ÷àñò îò ïîðåäèöàòà Guitar Series íà èçäàòåëñòâî BalkaNota . ... |
|
|
Âòîðî àêòóàëèçèðàíî èçäàíèå. ... "Ó÷åáíèêúò å çàìèñëåí íàïúëíî â äóõà íà áúëãàðñêàòà íàó÷íà òðàäèöèÿ, ñïîðåä êîÿòî òîé íå ñàìî äà îòðàçÿâà, íî è äà íàäìèíàâà îáùîòî íèâî íà ðàçâèòèå íà íàêàçàòåëíîòî ïðàâî ó íàñ. Íà÷àëîòî íà òàçè ïëîäîòâîðíà òðàäèöèÿ áå ïîñòàâåíî ïðåç 30 -òå ãîäèíè íà ìèíàëèÿ âåê îò íåäîñòèæèìèÿ àêàäåìèê Íèêîëà Äîëàï÷èåâ è ïî-êúñíî ïðîäúëæåíà ñ áåçñïîðåí àâòîðèòåò îò óâàæàâàíèÿ ïðîô. ä-ð Èâàí Íåíîâ (1963 è 1972 ã.). Òåõíèòå ó÷åáíèöè ñà àêòóàëíè è äíåñ. Íî æèâîòúò ïðîäúëæàâà è âúðâè íàïðåä. Ïðåç ñëåäâàùèòå äåñåòèëåòèÿ áúëãàðñêàòà íàêàçàòåëíîïðàâíà íàóêà ïðåòúðïÿ ìàùàáíî è áúðçî ðàçâèòèå â ... |
|
|
Ðàáîòíà òåòðàäêà ñúñ ñõåìè è òåñòîâè âúïðîñè çà ïðàêòè÷åñêè óïðàæíåíèÿ ïî áèîõèìèÿ çà ñòóäåíòè ïî ìåäèöèíà. ... |
|
|
Êíèãàòà íà Áîÿí Àíãåëîâ Ï(ð)îñâåùåíèå îñâåí ñèëíàòà ñè õóäîæåñòâåíî-åñòåòè÷åñêà ñòðàíà èçëú÷âà è ïðîäóêòèâíà ñîöèàëíà åíåðãèÿ, òúé íåîáõîäèìà íè íà îáåçâåðåíîòî ñúâðåìåííî îáùåñòâî. Áîÿí Àíãåëîâ å ðîäåí å íà 27 àâãóñò 1955 ãîäèíà â Ïàíàãþðèùå. Çàâúðøâà Ôèëîñîôèÿ è Áúëãàðñêà ôèëîëîãèÿ â Ñîôèéñêèÿ äúðæàâåí óíèâåðñèòåò. Ïå÷åëè àñïèðàíòóðà â Èíñòèòóòà çà ôèëîñîôñêè èçñëåäâàíèÿ ïðè Áúëãàðñêàòà àêàäåìèÿ íà íàóêèòå è ïðåç 1992 ãîäèíà ïîëó÷àâà íàó÷íàòà è îáðàçîâàòåëíà ñòåïåí äîêòîð.  Øâåéöàðèÿ çàâúðøâà àíòðîïîñîôñêà ïåäàãîãèêà è ñîöèàëíà ïñèõîëîãèÿ ñ ïðèçíàò äîêòîðàíò. Ðàáîòè êàòî ðåäàêòîð è ãëàâåí ðåäàêòîð â ðàçëè÷íè ... |
|
|
Îòêðîâåí ðàçêàç çà ïðåêðà÷åíèòå ìîðàëíè ãðàíèöè, îòâúä êîèòî íèùî íå å ñúùîòî è íèêîé íå å ñúùèÿò. Ðàçêàç çà áåçðàçñúäåí ñåêñ, àë÷íîñò, íåáëàãîäàðíîñò. Èñòîðèÿ çà òîâà êàê ìàëêèòå àíãåëè ñå ïðåâðúùàò â ÷óäîâèùà, à ëþáîâòà â îìðàçà. Íÿìà íåâèííè, âñåêè îò ãåðîèòå ïðàâè ñâîèòå ïðåäàòåëñòâà, âñåêè èìà ñâîÿòà èñòèíà. Âñåêè èìà è ñâîÿòà áîëêà. Ìîæå ëè ïðîøêàòà äà ñìåê÷è òàçè áîëêà, èëè ïðîøêàòà å íåâúçìîæíà? Òîé èñêà äà ïðîñòè è äà ñòàíå ñâîáîäåí. Èñòîðèÿ, ðàçêàçàíà ïðåç ïîãëåäà íà åäíà ÷èñòà äóøà - äàêåëêàòà Ïèïè, êîÿòî âèäÿ è íàé-äîáðîòî, è íàé-ëîøîòî îò ñâåòà íà õîðàòà. ... |
|
|
Ïîçäðàâèòåëíàòà êàðòè÷êà îò ñåðèÿòà "Romantique" íà "Gespansterwald" å ñúñ ñòèëåí è ìîäåðåí äèçàéí ñ èìèòàöèÿ íà äàíòåëà ïî êðàé ѝ. Ñ íåÿ ìîæå äà îïîâåñòèòå íîâèÿ ÷ëåí íà ñåìåéñòâîòî âè ñ áëèçêèòå çà âàñ õîðà. Òÿ å ñ íàäïèñ "It's a Girl". ... |
|
|
"Ïðåäè íÿêîëêî ãîäèíè çàïî÷íàõ äà ïîëó÷àâàì ïèñìà îò ÷èòàòåëè íà ìîèòå êíèãè. Âñè÷êè òåçè ïèñìà ñúäúðæàõà åäèí âúïðîñ: êàêâî ïðàâÿ ñëåä íàïèñâàíåòî íà êíèãèòå ñè, êîèòî áÿõà ïóáëèêóâàíè íà àíãëèéñêè åçèê ïðåç 1920 è 1931 ã., à ñà áèëè íàïèñàíè ïðåç 1910 è 1912ã. Íà òåçè ïèñìà àç íå áèõ ìîãúë äà îòãîâîðÿ. Áèõà áèëè íóæíè öåëè êíèãè äîðè ñàìî äà ñå îïèòàì äà íàïðàâÿ òîâà. Æèâååùèòå â Ëîíäîí, êîèòî ìè ïèñàõà, ïîêàíèõ íà ëåêöèîííèòå êóðñîâå, óðåäåíè çà òÿõ.  òåçè ëåêöèè ñå îïèòàõ äà îòãîâîðÿ íà âúïðîñèòå èì è äà èì îáÿñíÿ êàêâî ñúì ïðàâèë ñëåä íàïèñâàíåòî íà äâåòå ñè êíèãè è êàêâî áåøå íàïðàâëåíèåòî íà ðàáîòàòà ìè. Ïðåç ... |
|
|
Lawrence's finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity. "Women in Love" is, however, a profound response to a whole cultural crisis. The "progress" of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves "human"? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our ... |
|
|
The book applies modern interpretation of marketing in tourism industry. The purpose of the book is to integrate the potential of Bulgaria as a tourist destination with European good practices and standards through a successful marketing strategy. Special attention is paid to the consumers behaviour, tourism market and the development of effective marketing mix in tourism. The topics and discussions on product, price and distribution policy are also analyzed. ... |
|
|
Making right desicions when you don't have all the facts. ... Even the best decision doesn't yield the best outcome every time. There's always an element of luck that you can't control, and there's always information hidden from view. So the key to long-term success (and avoiding worrying yourself to death) is to think in bets: How sure am I? What are the possible ways things could turn out? What decision has the highest odds of success? Did I land in the unlucky 10% on the strategy that works 90% of the time? Or is my success attributable to dumb luck rather than great decision making? Annie Duke, a ... |
|
|
Life, death and everything in between. ... Lily wakes up one crisp Sunday morning on the side of the road. She has no idea how she got there. It is only when a police car arrives, and she sees her own body, that she realises she is in fact... dead. But nobody can see or hear her, however hard she tries. So what is she supposed to do next? Then Lily is given once-in-a-deathtime opportunity. Will she take it? "Wonderful... a near perfect piece of writing - funny and tender and wounded and furious." Matthew Crow, author of "In Bloom" ... |
|
|
Íàóêàòà çà îïòèìèçèðàíå íà çäðàâåòî è óâåëè÷àâàíå íà ïðîäóêòèâíîñòòà. Ïðåäñòàâåòå ñè, ÷å èìà ëå÷åíèå, çà êîåòî íå òðÿáâà äà ïëàùàòå, êîåòî ìîæå âèíàãè äà èçïîëçâàòå ñúâñåì ñàì è áåç ïîìîùòà íà óòâúðäåíè ëåêàðè, ó÷åíè è ñêúïà ôàðìàöåâòèêà èëè ñëîæíè óðåäè. Ïðåäñòàâåòå ñè, ÷å âñåêè îò íàñ ãî íîñè â ñåáå ñè è ìîæå ðàçóìíî äà ãî ïîëçâà çà ïîäîáðÿâàíå èëè äîðè òðàéíî ëåêóâàíå íà ìíîãî ñúñòîÿíèÿ êàòî: Àëöõàéìåð, àðòðèò, àñòìà, àóòèçúì, áîëåñò íà Êðîí, ðàçëè÷íè âúçïàëåíèÿ, äåïðåñèÿ, ðåãóëèðàíå íà êðúâíàòà çàõàð èëè äèàáåò, çàòëúñòÿâàíå, õèïåðòîíèÿ, èíñóëò, èíôàðêò, êîëèò, ìåòàáîëèòåí ñèíäðîì, ìíîæåñòâåíà ñêëåðîçà, íåâðîëîãè÷íè ... |
