Êíèãà 4 îò ïîðåäèöàòà "Bulgarian Academic Monographs". ... The book presents in general development of Bulgarian Church woodcarving from the earliest preserved models until the end of the 19th century. The presentation follows the main routes of development of this original art, with emphasis laid upon the symbolism of the included patterns. During the Revival period this symbolism is a synthesis between Christian and Pre-Christian patterns, preserved in the folklore thinking. The book presents the Revival period not only as an ascending period but also as a period of recesses and returns kept up by the folklore. ... |
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Ñáîðíèê ñ äîêëàäè. Äâóåçè÷íî èçäàíèå - íà áúëãàðñêè è àíãëèéñêè åçèê. ... Äèìèòúð Äîáðîâè÷ å ïúðâèÿò, èçâåñòåí íà îáùåñòâåíîñòòà â Áúëãàðèÿ, õóäîæíèê ñ àêàäåìè÷íî îáðàçîâàíèå. Íåùî ïîâå÷å.  ñðåäàòà íà XIX âåê òîé ñèñòåìíî ñëåäâà ïúòÿ è ñúäáàòà ñè íà õóäîæíèê. Îñíîâèòå íà íåãîâîòî îáðàçîâàíèå ñà ïîëîæåíè â Ñëèâåí è Èñòàíáóë. Ïî-êúñíî Äîáðîâè÷ öåëåíàñî÷åíî ñå íàñî÷âà è çàâúðøâà õóäîæåñòâåíîòî ó÷èëèùå â Àòèíà, à Âå÷íèÿò ãðàä ãî ïðèâëè÷à ïî ðàçëè÷åí íà÷èí ñ áîãàòàòà ñè âåêîâíà êóëòóðà, ñ äèíàìè÷íèÿ ñâåòñêè è ìå÷òàòåëåí æèâîò íà Ðèì è îêîëíîñòèòå. Òàì Äèìèòúð Äîáðîâè÷ îñòàâà äà æèâåå è òâîðè ïîâå÷å îò 40 ãîäèíè, äî 1893 ... |
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Ëåêöèîíåí êóðñ. ... Êíèãàòà ïðåäñòàâÿ îïèò çà êðàòúê îáçîð íà äóõîâíàòà îáñòàíîâêà â Çàïàäíà Åâðîïà è ñâåòà ïðåç XVIII è XIX âåê. Òîâà å âðåìåòî íà ðàçöâåòà íà õóìàíèçìà, ðàöèîíàëèçìà, èäåàëèçìà è äðóãè èäåéíè òå÷åíèÿ, êîèòî ñå âìåñòâàò â îáùîòî ïîíÿòèå Ïðîñâåùåíèå. Òåõíèòå ïðåäñòàâèòåëè ñà ôèëîñîôè, ó÷åíè è îáùåñòâåíèöè, êîèòî íåèçáåæíî èçðàçÿâàò è ñâîåòî îòíîøåíèå êúì Öúðêâàòà. Ñëåä Ðåíåñàíñà è Ðåôîðìàöèÿòà õðèñòèÿíèòå è õðèñòèÿíñêèòå âîäà÷è ñå âúçïèòàâàò è ðàçâèâàò â óñëîâèÿ, êîèòî ïîçâîëÿâàò ìíîãî ïî-îñâîáîäåíà ìèñúë. Òå ïîñðåùàò è ïîåìàò ïðåäèçâèêàòåëñòâàòà íà íîâîòî âðåìå íååäíîçíà÷íî. Âúçíèêâàò äâèæåíèÿ çà ... |
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 ïîðåäíèÿ 19-òè òîì ñå ñúäúðæàò áåñåäè äúðæàíè îò 21 þíè 1931 ã. äî 7 ôåâðóàðè 1932 ã.  òàçè ïîðåäèöà çà ïúðâè ïúò å ïðåäñòàâåíà ïúëíà õðîíîëîãèÿ íà íåäåëíèòå áåñåäè íà Ó÷èòåëÿ Ïåòúð Äúíîâ (Áåèíñà Äóíî) ïðåç ïåðèîäà 1914 - 1943 ã.  òÿõ ïî ñîáñòâåíèòå ìó äóìè ñà èçëîæåíè âñè÷êè îñíîâíè ïðèíöèïè íà íåãîâîòî ó÷åíèå, êîåòî òîé íàðè÷à Íîâîòî ó÷åíèå íà Âñåìèðíîòî Áÿëî Áðàòñòâî. Êíèãàòà å äåâåòíàäåñåòè òîì îò ìíîãîòîìíàòà ïîðåäèöà "Ñèëà è æèâîò" è å ñúâìåñòíà ïóáëèêàöèÿ íà èçäàòåëñòâàòà "Çàõàðèé Ñòîÿíîâ" è "Áÿëî Áðàòñòâî". ... |
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Ñáîðíèêúò "Áúëãàðñêî-ðóñêè ñðåùè â ëèòåðàòóðàòà íà XIX - XX âåê" ïðåäñòàâÿ íîâîèçäèðåíè ðúêîïèñè è àðõèâíè ìàòåðèàëè, êàêòî è àâòåíòè÷íè ôàêòè, îñòàíàëè íåîñâåòëåíè äîñåãà, ïîòóëåíè â ãúíêèòå íà îáùàòà êàðòèíà. ×èòàòåëÿò ùå äîñåãíå ïúðâèÿ ïðåâîäà÷åñêè îïèò íà Íåîôèò Áîçâåëè çà "àíòîëîãèÿ íà ðóñêàòà ïðîçà", ùå âíèêíå â îñòàâåíèÿ îò Ïàíòåëåéìîí Ðèëåö èíòåðåñåí ïúòåïèñ èç Ðóñèÿ, ùå ðàçáåðå êîé å áúëãàðèíúò, ïðèñúñòâàë íà ïîãðåáåíèåòî íà Ãîãîë, ùå ñå çàïîçíàå ñ äàííèòå çà ïúðâàòà ðóñêî-áúëãàðñêà íàó÷íà ñåñèÿ ïðåç 1870 ã., ñ îðèãèíàëíèòå "îïèñàíèÿ" íà Ñëàâåéêîâ ïî âðåìå íà Ðóñêî-òóðñêàòà ... |
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Êíèãà îò ïîðåäèöàòà "Ðúêîâîäñòâî ïî õèðóðãèÿ ñ àòëàñ". ... Íàøåòî âðåìå å áåëÿçàíî îò ïîñòîÿííà òåíäåíöèÿ íà íàðàñòâàíå íà çàáîëåâàåìîñòòà îò ñîëèäíè òóìîðè, êàêòî è îò ìîëåêóëÿðíîáèîëîãè÷åí è òåõíîëîãè÷åñêè "áóì" âúâ ôóíäàìåíòàëíàòà è êëèíè÷íàòà îíêîëîãèÿ. Ìîäåðíîòî ëå÷åíèå âå÷å íå å ñàìî "îðãàíîñúõðàíÿâàùî", íî è èíäèâèäóàëèçèðàíî, îñíîâàíî íà êîìïëåêñåí ìóëòèäèñöèïëèíàðåí ïîäõîä. Íåîáõîäèìîñò çà ïðàêòèêóâàùèòå õèðóðçè å äîáðîòî ïîçíàâàíå íà ðàêà êàòî áèîëîãè÷åí ïðîöåñ. Íàñòîÿùèÿò òîì å îïèò äà ñå îòãîâîðè íà òàçè ïîòðåáíîñò.  íåÿ ñà ðàçâèòè ñèñòåìíî áèîëîãèÿòà íà òóìîðèòå, åïèäåìèîëîãèÿòà ... |
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The year is 1984. The country is impoverished and permanently at war, people are watched day and night by Big Brother and their every action and thought is controlled by the Thought Police. Winston Smith works in the department of propaganda, where his job is to rewrite the past. Spurred by his longing to escape, Winston rebels. He breaks the law by falling in love with Julia and, as part of the clandestine organization the Brotherhood, they attempt the unimaginable - to bring down the Party. George Orwell's Nineteen Eighty-Four is one of the most famous and influential novels of the 20th century. This terrifying ... |
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The Thought Police, doublethink, Newspeak, Big Brother - "1984" itself: these terms and concepts have moved from the world of fiction into our everyday lives. They are central to our thinking about freedom and its suppression; yet they were newly created by George Orwell in 1949 as he conjured his dystopian vision of a world where totalitarian power is absolute. In this novel, continuously popular since its first publication, readers can explore the dark and extraordinary world he brought so fully to life. The principal characters who lead us through that world are ordinary human beings like ourselves: ... |
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George Orwell 's dystopian masterpiece, Nineteen Eighty-Four is perhaps the most pervasively influential book of the twentieth century, making famous Big Brother, newspeak and Room 101. 'Who controls the past controls the future: who controls the present controls the past' Hidden away in the Record Department of the sprawling Ministry of Truth, Winston Smith skilfully rewrites the past to suit the needs of the Party. Yet he inwardly rebels against the totalitarian world he lives in, which demands absolute obedience and controls him through the all-seeing telescreens and the watchful eye of Big Brother, ... |
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Êúì ôèëîñîôèÿòà íà áúëãàðñêàòà ëèòåðàòóðà. ... Êíèãàòà îáåäèíÿâà òåêñòîâå, ïèñàíè ñëåä ìîíîãðàôè÷íîòî èçñëåäâàíå "Ïîåçèÿòà íà 1990 -òå : Áúëãàðñêî è ïîñòìîäåðíî" (2010). Ñúáðàíè çàåäíî, òå êîíñòðóèðàò åäíà öÿëîñòíà òåîðèÿ íà áúëãàðñêèÿ ïîñòìîäåðíèçúì, êîÿòî ðàáîòè åäíîâðåìåííî â äâà ïëàíà, î÷åðòàâà äâå îñíîâíè òåíäåíöèè. Ïúðâàòà ïðåãîâàðÿ åäèí öåíòðàëåí ñþæåò âúâ "âèñîêèÿ" (êëàñè÷åñêè) ïîñòìîäåðíèçúì îò 1990 -òå ãîäèíè, ñúñòîÿë ñå ãëàâíî â ïîåçèÿòà. Èçñëåäâàíà å ðàáîòàòà ìó ñ ëèòåðàòóðíèÿ êàíîí è íà÷èíúò, ïî êîéòî òîé äèñêóòèðà íàöèîíàëíàòà ôèëîñîôèÿ íà èñòîðèÿòà ( Àíè Èëêîâ , Çëàòîìèð Çëàòàíîâ , ... |
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Îò Ôðåíñêàòà ðåâîëþöèÿ äî Ïúðâàòà ñâåòîâíà âîéíà Àâòîðúò íà êíèãàòà, ïðåïîäàâàòåë â Èñòîðè÷åñêèÿ ôàêóëòåò íà Ñîôèéñêèÿ óíèâåðñèòåò "Ñâ. Êëèìåíò Îõðèäñêè", ïðåäëàãà íà áúëãàðñêèÿ ÷èòàòåë åäèí êðàòúê, ñèíòåçèðàí ïîãëåä âúðõó îñíîâíèòå ñúáèòèÿ â Åâðîïà â ïåðèîäà îò Âåëèêàòà ôðåíñêà ðåâîëþöèÿ äî Ïúðâàòà ñâåòîâíà âîéíà. Ìàêàð çàãëàâèåòî íà êíèãàòà "Äåâåòíàäåñåòèÿò âåê íà Åâðîïà" õðîíîëîãè÷åñêè äà íå îòãîâàðÿ íà ïåðèîäà îò 1789 äî 1918 ã., ñ íåãî àâòîðúò èñêà äà ïîä÷åðòàå îáùèòå çà Åâðîïà åâîëþöèîííè è ðåâîëþöèîííè ïðîìåíè â ðàçâèòèåòî íà èêîíîìèêàòà, ñîöèàëíèòå ñòðóêòóðè è ïîëèòè÷åñêèòå ìîäåëè. Òåçè ïðîìåíè çàïî÷âàò ñ ... |
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Ïîðåäèöàòà ïóáëèêàöèè "Èçñëåäîâàòåëñêè ôîðóìè" íà Öåíòúðà çà àêàäåìè÷íè èçñëåäâàíèÿ (Centre for Advanced Study), Ñîôèÿ, ïðåäñòàâÿ ðåçóëòàòè îò íàó÷íè äèñêóñèè ïî êëþ÷îâè çà ñúâðåìåííèòå õóìàíèòàðíè è ñîöèàëíè íàóêè ïðîáëåìè è òåìàòèêè. Íàñòîÿùèÿò ñáîðíèê ñúäúðæà èçñëåäâàíèÿ, ðàçèñêâàíè â ò.íàð. "Èñòîðè÷åñêè êëóá" íà Öåíòúðà - íåôîðìàëíî äèñêóñèîííî îáùåñòâî íà çàíèìàâàùè ñå ñ èñòîðèÿ ó÷åíè, êîåòî öåëè äà ñúæèâè êóëòóðàòà íà íàó÷íî-êðèòè÷åñêèÿ äåáàò âúðõó ïðîèçâîäñòâîòî íà èñòîðè÷åñêè çíàíèÿ, äà ïðîâîêèðà ðàçìèñúë âúðõó ñúñòîÿíèåòî íà áúëãàðñêàòà èñòîðèîãðàôèÿ, äà îòñòîÿâà ïðàâîòî íà ñúùåñòâóâàíå è ... |
