In this celebrated work, his only novel, Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late 19 th century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of ... |
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With more than 280 entries, this architectural A - Z, now part of our Bibliotheca Universalis series, offers an indispensable overview of the key players in the creation of modern space. From the period spanning the 19th to the 21st century, pioneering architects are featured with a portrait, concise biography, as well as a description of her or his important work. Like a bespoke global architecture tour, you'll travel from Manhattan skyscrapers to a Japanese concert hall, from Gaudi's Palau Güell in Barcelona to Lina Bo Bardi's sports and leisure center in a former factory site in São Paulo. You ... |
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Wetlanet. ... The present book is aimed at summarizing the most of the studies have been carried out during the last three decades on the ecosystems of the Mesta – a transboundary river shared between Bulgaria (upper stretch) and Greece (lower stretch and Delta). This river was a subject of careful hydrobiological and ecological studies during the last decades, mostly because it was an excellent example to investigate processes of the heavy loads of the pollution with organic matter generated by cardboard and yeast industries in the Razlog Valley. ... |
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 ïðåäëàãàíàòà ìîíîãðàôèÿ ñà ñòðóêòóðèðàíè îñíîâíèòå ãðóïè àâòîðè è ïîòðåáèòåëè íà ìåäèöèíñêà è çäðàâíà èíôîðìàöèÿ è ïîñòèíôîðìàöèîííè ïðîäóêòè - çíàíèå, êóëòóðà, ìåíèäæìúíò è ïîëèòèêà. ×ðåç òåçè èíôîðìàöèîííè êîíãëîìåðàòè ñå ôîðìèðàò è äèíàìè÷íè îòíîøåíèÿ è ïðàêòèêè íà âçàèìîäåéñòâèå, ïîðîäåíè îò çäðàâåòî è áîëåñòèòå; ðåãóëèðà ñå ñîöèàëíàòà çäðàâíà ñèñòåìà êàòî åëåìåíò íà îáùåñòâåíèÿ îðãàíèçúì, ñúçäàâàò ñå ãðóïè îò ñúìèøëåíèöè. Äíåñ ïîñâåòåíèòå íà çäðàâåòî èíôîðìàöèîííè ïîòîöè ñå ðàçïðîñòðàíÿâàò íå ñàìî âúâ ôèçè÷åñêèÿ, íî è âúâ âèðòóàëíèÿ ñâÿò. Áèòóâàíåòî èì â äâå ðåàëíîñòè ñ ðàçëè÷íè íîñèòåëè - òåêñòîâå, îáðàçè, çâóöè, ... |
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"In a fast paced world with media focused on single, dramatic images there is the danger that extended documentary work like that of Babak Salari’s may be missed in the rush for the next great cover shot. Salari’s photographs, by contrast, require us to slow down and savour the moments he has rendered on film. Like any story, the best way to experience “Remembering the People of Afghanistan” is to be conscious of the telling and willing to let ourselves be affected by it. Salari’s photos form a rich, complex story told in a soft voice. It is the story of a people recounted with empathy and respect. At times, it is ... |
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Àêî âè õàðåñâà Çäðà÷à , äîáðå äîøëè â Ìðàêà! ... Äóøàòà íà Çîóè Ðåäáúðä, îò ó÷èëèùåòî çà âàìïèðè , å â Äðóãèÿ ñâÿò, à òÿëîòî é áúðçî âåõíå. Åäèíñòâåíî Ñòàðê óñåùà êúäå å òÿ, íî êàê äà ÿ äîñòèãíå â îòâúäíîòî? Âèñøèÿò ñúâåò íà âàìïèðèòå çíàå, ÷å èìà íà÷èí – Ñòàðê òðÿáâà äà óìðå. Íî àêî òîâà ñòàíå, ïîñëåäíàòà âðúçêà íà Çîóè ñ íàøèÿ ñâÿò ùå èç÷åçíå è òÿ íèêîãà íÿìà äà ñå çàâúðíå. Äîáðå äîøëè â ñâåòà íà Ñòèâè Ðåé, êîÿòî å ãîòîâà íà âñÿêà öåíà äà ïîìîãíå íà çàñòðàøåíàòà ìëàäà Âèñøà æðèöà. Íàé-äîáðàòà ïðèÿòåëêà íà Çîóè îáà÷å ñè èìà ñâîèòå ïðîáëåìè, êîèòî ñà íå ïî-ìàëêî ñåðèîçíè. ×åðâåíèòå íîâàöè âå÷å ñà íåêîíòðîëèðóåìè, à ... |
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+ Ïîäàðúê - Ïëàêàò ... Àêî ñè ìèñëèòå, ÷å ñëåä ïðîãîíâàíåòî íà ïàäíàëèÿ àíãåë Êàëîíà, çàåäíî ñ íèçâåðãíàòàòà ìó Âèñøà æðèöà, ñïàñÿâàíåòî íà æèâîòà íà Ñòàðê, óõàïâàíåòî íà Õèéò, êàðàíèöèòå ñ Åðèê, äà íå ñïîìåíàâàìå çà ñðåùàòà ñúñ ñìúðòòà, Çîóè ùå ñè ïî÷èíå, ìíîãî ñå ëúæåòå. Ìëàäàòà Âèñøà æðèöà èìà àäñêè ìíîãî ðàáîòà â ó÷èëèùåòî çà âàìïèðè , îñâåí òîâà òðÿáâà äà ñè îáó÷è äîáðå áàíäàòà ïîìîùíèöè, êîèòî ñà îêîëî íåÿ. Ñåðèîçíèÿò ïðîáëåì ñ ïðåêàëåíî ìíîãîòî ãàäæåòà (íèêîãà ïî-ìàëêî îò òðè íàâåäíúæ) ïðîäúëæàâà äà ÿ èçìú÷âà, à ðåøåíèåòî êîãî äà èçáåðå å äîïúëíèòåëíî óñëîæíåíî. Ñåêñè âîèíúò Ñòàðê, êîéòî å ïîëîæèë êëåòâà äà ÿ ... |
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Èçäàíèåòî å ñúâìåñòèìî ñ íàñòîÿùàòà ó÷åáíà ïðîãðàìà. Îäîáðåí ñúñ çàïîâåä ¹ ÐÄ 09 - 1565 / 17.07.2020 ã. ... Êàêâî ïðåäñòàâëÿâà ìåæäóòåêñòîâîñòòà è êàêúâ å ìåõàíèçìúò, ïî êîéòî âðúçêèòå ìåæäó êíèãèòå îïèðàò â åäèí áåçêðàåí êóëòóðåí õîðèçîíò? Êàê åäèí îò íàé-èçÿâåíèòå ïðåäñòàâèòåëè íà ñâåòîâíàòà ëèòåðàòóðíà ìèñúë ïðåç 20. âåê - Õîðõå Ëóèñ Áîðõåñ , ñâúðçâà Âñåëåíàòà ñ Áèáëèîòåêàòà?  êàêâî ñå èçðàçÿâà äóõîâíîòî ðîäñòâî ìåæäó àâòîðè îò ðàçëè÷íè åïîõè è ãåîãðàôñêè øèðèíè? Êàê ðàçðàáîòâàò ìîòèâà çà ëþáîâòà Î. Õåíðè â ðàçêàçà ñè "Äàðîâåòå íà âëúõâèòå" è Ãåîðãè Ãîñïîäèíîâ â ñâîÿòà êîëåäíà èñòîðèÿ "Î, Õåíðè& ... |
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Àêî âè õàðåñâà Çäðà÷à , äîáðå äîøëè â Ìðàêà! ... Êàêâî ùå íàïðàâèø, àêî òå æåëàå íàé-ñòðàõîòíèÿò ìúæ íà ñâåòà, íî â äóøàòà ìó ñå òàè áåçèìåííî çëî?  íà÷àëîòî íà òàçè ñïèðàùà äúõà êíèãà îò ïîðåäèöàòà „ Ó÷èëèùå çà âàìïèðè ” Çîóè Ðåäáúðä îòíîâî å îáè÷àíà îò ïðèÿòåëèòå ñè, à ïðåðîäåíàòà Ñòèâè Ðåé âå÷å íå å òàéíà, ïàçåíà îò Íåôåðåò. Íî ñå ïîÿâÿâà íîâà îïàñíîñò – äðåâíà è ÷óäîâèùíà. Íåôåðåò å âúçêðåñèëà ñâîÿ ìîãúù ñúþçíèê Êàëîíà è íèêîé â „Äîìà íà íîùòà” íå ïîäîçèðà êàêâà çàïëàõà å òîé. Ïàäíàëèÿò àíãåë îìàéâà öÿëîòî ó÷èëèùå çà âàìïèðè. Êëþ÷úò çà ïðåêðàòÿâàíå íà íàðàñòâàùîòî ìó âëèÿíèå å ñêðèò â ïðåäèøíèÿ ìó æèâîò. Íî ... |
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Àêî âè õàðåñâà Çäðà÷à , äîáðå äîøëè â Ìðàêà! ... Àäñêè å ãàäíî, êîãàòî íàé-äîáðèòå òè ïðèÿòåëè ñà òè ÿäîñàíè. Àêî íå âè ñå âÿðâà, ïèòàéòå Çîóè Ðåäáúðä! Ñàìî çà åäíà ñåäìèöà âñè÷êî â íåéíèÿ æèâîò ñå îáðúùà ñ ãëàâàòà íàäîëó. Ïðåäè èìàøå òðè ãàäæåòà, ñåãà íÿìà íèòî åäíî. Ïðåäè èìàøå ñïëîòåíè ïðèÿòåëè, ãîòîâè äà äàäàò æèâîòà ñè çà íåÿ, ñåãà å ñàìîòåí àóòñàéäåð. Ëîøîòî å, ÷å ñàìà ñè å âèíîâíà. Åäèíñòâåíèòå é áëèçêè ñà åäíà íåìúðòâà è åäíà áèâøà áåëÿçàíà, êîèòî ñå ìðàçÿò è ïðåç öÿëîòî âðåìå ñå êàðàò. Åòî çàùî åäâà ëè ùå ñå èçíåíàäàòå äà íàó÷èòå, ÷å â ó÷èëèùåòî çà âàìïèðè Çîóè ñå ñïðèÿòåëÿâà ñ íîâèÿ ó÷åíèê – Äæåéìñ Ñòàðê, ... |
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Êíèãàòà å ïîñâåòåíà íà 100-ãîäèøíèíàòà îò ðîæäåíèåòî íà àêàä. Èâàí Ñòåôàíîâ. Îáõâàíàòà å ìíîãîñòðàííàòà ìó íàó÷íà, óíèâåðñèòåòñêà, ïóáëèöèñòè÷íà, äúðæàâíè÷åñêà è îáùåñòâåíà äåéíîñò. ... |
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There is less than one hundred Thracian stone-built under-tumular constructions in Bulgaria that are usually called tombs. Most of them were found half-demolished or were demolished subsequently. Thirteen such buildings were constructed in the Kazanlak valley (fig. 1). Their number rises to fifteen, it we add another two constructions, which are not so impressive but possess a high scientific value. They are concentrated within a limited geographic region and in terms of statistics they are considerably more than any other area of Bulgaria. Taking this into consideration and knowing that some fifty years ago the only ... |