George Eastman's career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history. Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives - among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams. Home also to 23,000 cinema ... |
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Join the Moomins on an ocean adventure in this stunning picture book based on Tove Jansson's classic tales. The Moomins , Sniff and Little My are setting off across the high seas in Moominpappa's new boat. Along the way they will encounter a swarm of mischievous niblings, Edward the gigantic Booble, and a very cross Hemulen aunt. Will they make it back safely to Moominvalley... or could they be lost at sea? This beautiful re-telling of Tove Jansson's beloved story is perfect for Moomin fans of all ages. Combining the spirit of Jansson's original warm and witty text with stunning illustrations of all ... |
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The production of this Reader in the 20th century British literature is a result of years of lecturing on the subject of English literature to the English Students undergraduates at the South Western University, and the cooperation of my students and colleagues as well as the support of the faculty bodies and administration. ... |
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The self as a subject is one of the most fascinating and fruitful of artistic enterprises. From the 15th century to today, this collection brings together some of the best examples of self-portraiture to explore the genre's evolution over the centuries as well as the enduring questions of selfhood and self-representation that have besieged human experience for centuries before social media and the selfie. Is a self-portrait of an artist a medium of reflection? Or is it merely a black void, the "false mirror", as the Surrealist René Magritte entitled his 1928 painting of an eye? How much does it impart ... |
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