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Начало   Книги    Филология и езикознание    Чуждоезична литература    ...    Sebastiao Salgado. Exodus
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Sebastiao Salgado. Exodus

Цена:  124.90 лв.
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За цена извън гр. София кликни тук.
Продукт#204809
ВидКнига
НаличностДа, на склад при доставчик - време за доставка 7 дни
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Издадена2016 г.
ИздателствоTaschen
Категории
ЕзикАнглийски
КорицаТвърда
Страници436
Размери25.50 / 33.50 / 4.70 cm
Тегло3.649 kg
EAN9783836561303
ISBN9783836561303
Описание
A new edition of the classic and timely record of refugees and migrants on the move.
It has been almost a generation since Sebastiao Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil.

Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed.

With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones.

At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence."
"At that horrific time, I photographed it with all my heart. I thought the whole world needed to know. This is our world, we have to assume responsibility for it."
Sebastiao Salgado

"In the freakish hyper-reality of 2016, where tragedy upon tragedy dominate news cycles, a collection like Exodus adds historical context to the global story of humanity on the move."
British Journal of Photography, London

Sebastiao Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994 he and his wife Lélia created Amazonas Images, which exclusively handles his work. Salgado's photographic projects have been featured in many exhibitions as well as books, including "Other Americas" (1986), "Sahel", "L'Homme en detresse" (1986), "Workers" (1993), "Terra" (1997), "Migrations" (2000), "The Children" (2000), "Africa" (2007), and "Genesis" (2013).
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Genesis. Sebastiao Salgado - Lelia Wanick Salgado - книга

Genesis. Sebastiao Salgado


Lelia Wanick Salgado

Taschen
Цена:  124.90 лв.
"In Genesis, my camera allowed nature to speak to me. And it was my privilege to listen." Sebastiao SalgadoOn a very fortuitous day in 1970, 26-year-old Sebastiao Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward - though it took years of hard work before he had the experience to earn his living as a photographer - the camera became his tool for interacting with the world. Salgado, who "always preferred the chiaroscuro palette of black-and-white images," shot very little color in his early career ...

Sebastiao Salgado. Exodus

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Цена:  124.90 лв.
Безплатна доставка за гр. София.
За цена извън гр. София кликни тук.
Продукт#204809
ВидКнига
НаличностДа, на склад при доставчик - време за доставка 7 дни
Физически е наличен при доставчик на store.bg. Времето за обработка на заявките е 7 - работни дни.
Издадена2016 г.
ИздателствоTaschen
Категории
ЕзикАнглийски
КорицаТвърда
Страници436
Размери25.50 / 33.50 / 4.70 cm
Тегло3.649 kg
EAN9783836561303
ISBN9783836561303
Още снимки на тази книга
Разтвор на книгата
Разтвор на книгата
Описание
A new edition of the classic and timely record of refugees and migrants on the move.
It has been almost a generation since Sebastiao Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil.

Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed.

With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones.

At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence."
"At that horrific time, I photographed it with all my heart. I thought the whole world needed to know. This is our world, we have to assume responsibility for it."
Sebastiao Salgado

"In the freakish hyper-reality of 2016, where tragedy upon tragedy dominate news cycles, a collection like Exodus adds historical context to the global story of humanity on the move."
British Journal of Photography, London

Sebastiao Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994 he and his wife Lélia created Amazonas Images, which exclusively handles his work. Salgado's photographic projects have been featured in many exhibitions as well as books, including "Other Americas" (1986), "Sahel", "L'Homme en detresse" (1986), "Workers" (1993), "Terra" (1997), "Migrations" (2000), "The Children" (2000), "Africa" (2007), and "Genesis" (2013).
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