Italian architect and designer Gio Ponti (1891 - 1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his oeuvre remains one of the most diverse and groundbreaking in design history. Trained initially in architecture, Ponti soon moved into industrial and interior design, experimenting with ceramics, silverware, and glass. Ponti's key works are spread throughout this extensive overview, including structures of all kinds, from small residential dwellings to high-rise buildings, schools, and office blocks. The home was one of Ponti's recurring interests and central areas of ... |
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With motion and machines as its most treasured tropes, Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. With affiliate painters, sculptors, designers, architects, and writers, the group sought to subsume the dusty establishment into a new age of sleek, strong, purified modernity. Futurism's place in art history is as ambivalent as it is important. The movement pioneered revolutionary methods to convey movement, light, and speed, but sparks controversy in its glorification of war and fascist politics. Their frenzied, ... |
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Multilingual Edition: English, French, German. ... Time-travel through the Automobile Age with a collection that puts you in the driver’s seat. 20th Century Classic Cars offers a lush visual history of the automobile, decade by decade, via 400-plus print advertisements from the Jim Heimann Collection. Using imagery culled from a century of auto advertising, this book traces the evolution of the auto from horseless carriage to rocket on wheels and beyond. With an introduction and chapter text by New York Times automotive writer Phil Patton, as well as an illustrated timeline, this volume highlights the technological ... |
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In endless odes to the female form, Amedeo Modigliani (1884 - 1920) traced elongated bodies, almond eyes, and his own name into art history. His languid female subjects are as instantly recognizable as they are startling, sensual, and swan-necked. Modigliani's unique figuration corresponded to his own personal idea of beauty, but drew upon a rich variety of visual influences, including contemporary Cubism, African carvings, Cambodian sculptures, and 13th-century painting from his native Italy. Although most renowned for his nude females, he applied similar stylistic techniques to portraits of male artistic ... |
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В сътрудничество с Джонатан Уелс, Уилиам А. Дембски, Майкъл Дж. Бехи и Майкъл А. Кремо. ... В книгата датския научен писател Лейф. А. Йенсен си сътрудничи с водещите фигури от движението за интелигентен дизайн, като д-р Майкъл Бехи, д-р Уилям Дембски и д-р Джонатан Уелс. Заедно те посочват недостатъците и грешките в Дарвиновата парадигма, като същевременно представят и откритията, подкрепящи теорията за интелигентния дизайн. Аргументът за дизайн е обоснован и с други доказателства от научните сфери на археологията и космологията, както и от изследванията за произхода на съзнанието. В заключение, разглеждайки ... |
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One of the most accomplished human beings who ever lived, Leonardo da Vinci remains the quintessential Renaissance genius. Creator of the world’s most famous paintings, this scientist, artist, philosopher, inventor, builder, and mechanic epitomized the great flowering of human consciousness that marks his era. "Leonardo da Vinci. The Graphic Work" features top-quality reproductions of 663 of Leonardo's drawings, more than half of which reside in the Royal Collection of Windsor Castle. From anatomical studies to architectural plans, from complex engineering designs to pudgy infant portraits, delve in and ... |
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This is the Taschen 25 - Special edition! The Case Study House program (1945 - 66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was "Arts & Architecture" editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's ... |
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Scottish architect, designer, and painter Charles Rennie Mackintosh (1868 - 1928) was one of the earliest pioneers of modern architecture and design. While he did not receive much recognition in his hometown of Glasgow during his lifetime, his bold new blend of simplicity and poetic detail inspired modernists across Europe. Mackintosh's avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining an ... |
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Hailed the "Prince of the Impressionists", Claude Monet (1840 - 1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily ... |
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Painter, sculptor, writer, film-maker, and all-round showman Salvador Dali (1904 - 1989) was one of the twentieth century’s greatest exhibitionists and eccentrics. One of the first artists to apply the insights of Freudian psychoanalysis to art, he is celebrated in particular for his surrealist practice, with such conceits as the soft watches or the lobster telephone, now hallmarks of the surrealist enterprise, and of modernism in general. Dali frequently described his paintings as "hand-painted dream photographs". Their tantalizing tension and interest resides in the precise rendering of bizarre elements and ... |
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Lucian Freud (1922 - 2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's ... |
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While anchoring his practice in the traditions of antiquity and the Renaissance, Auguste Rodin (1840 - 1917) paved the way for modern sculpture. From a very early stage, he was interested in movement, the expression of the body, chance effects, and the incomplete fragment. It was these elements that gave shape, and the impression of life, to such famous works as The Kiss and The Thinker. Produced in collaboration with the Musée Rodin, this "Taschen" Basic Art introduction examines the formative years of Rodin's training as well as the key stages of his subsequent career. It retraces the genesis of his ... |
